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          Dalibor 
              Martinis  
              
            http://www.dalibormartinis.com/ 
              
            "TV 
              News / TV Dnevnik, September 4", 1974-2009 
            Video 
              and Video Installation  
            
            Dalibor 
              Martinis does not want to introduce a subjective interpretation 
              of the past, and he calls it 'Data Recovery'. The author uses this 
              term to describe a 'partial recovery of lost data from the memory 
              without the context that before the loss used to give them a positive, 
              informative, social or other meaning. Just like the lost computer 
              data, which is sometimes recovered only in fragments, disconnected 
              from the original files, this process attempts to recover parts 
              of actions, events or situations which have disappeared in our collective 
              memory loss. What matters is that such event should not be contextualized 
              through interpretations, historical constructions or manipulation 
              of the lost memory. History is a perpetual stream of confabulations, 
              spontaneous production of false memories.' On September 4, 1974 
              Dalibor Martinis created a video titled 'Still Life' which depicts 
              a television set whose screen shows evening TV news. 35 years later, 
              the author created a TV news which featured him reading the news 
              exactly as transcribed from the 1974 evening programme. The TV news 
              show was modern and contemporary regarding the aspects of technical 
              characteristics, the equipment, design and the additional information 
              presented on the screen (stock market information etc.), and only 
              the content of the news belonged to a past era, past ideology and 
              the former country. Text by Darko Fritz 
            CV 
            DALIBOR 
              MARTINIS is an artist and a video maker. He has exhibited his videotapes, 
              video/interactive and site-specific installations in many international 
              exhibitions such as Sao Paolo Biennale, Dokumenta, Venice Biennale, 
              and film/video festivals in Berlin, Tokyo, Montreal, San Francisco, 
              and Locarno etc.  
            Martinis 
              received several international awards (Tokyo Video Festival 1984, 
              Wroclaw 1991, Triest 1996, etc.) and his videos have been broadcast 
              by national televisions in Europe.  
            He 
              participated in the international exhibitions "Arts for Television" 
              (Boston, Vienna, San Francisco, Montreal, New York), "Video 
              skulptur-retrospektiv und aktuel" (Koeln, Berlin), "Europa, 
              Europa", Bonn; recently, in the shows "After The Wall" 
              at Moderna Museet, Stockholm; "50 Years of Art in Middle Europe" 
              at Museum moderner kunst Ludwig, Vienna, "Blood&Honey" 
              Sammlung Essl/Vienna etc.  
            His 
              works are in the collections of The Museum of Modern Art/New York, 
              Stedelijk Museum/Amsterdam, ZKM Karlsruhe, New York Public Library, 
              The Museum of Contemporary Art/Zagreb, etc.  
              
              
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