Paul Magee (Great Britain)
„The Eye of God“, Computer Based Art, 2005
Computer program and wide-screen monitor. Left to itself for a very long but finite period, the screen would generate every possible image at increasingly better resolution. Photographs from every dream and nightmare, from all pasts and futures - actual, possible and inconceivable.
The whole screen starts as one 'pixel'. The program goes through all possible combinations of RGB for this single pixel. That is to say, every combination of the 256 reds, 256 greens and 256 blues that can make up a pixel. It then splits the screen horizontally and vertically, and combines each 'pixel' with every other 'pixel' on the screen in all possible configurations - and in all of each pixels own possible RGB combinations. The program keeps splitting the screen until it reaches the size of an actual pixel.
Exhibitions: 2010 No Explanation, Galeria Arsena?, Pozna?, Poland; 2009: URBAN (R)EVOLUTIONS #2: URBAN STILLS, Festival Miden, Kalamata, Greece.; 2008: CAC 2, Museo de Arte Moderno, Toluca City, Mexico. Slow Art, SIGGRAPH, Los Angeles, USA.2008: soundOBJECTS, Digital Media festival, Valencia, Spain.; Computer Art Congress 2, Museo de Arte Moderno, Toluca City, Mexico.; 2007: Piksel 2007 festival, 3.14 Gallery, Bergen, Norway.; 2006: 151206, Oko/Ucho Galeria, Pozna?, Poland.; Sleep, Galeria Anex, Pozna?, Poland.; 2004: Young Artists at CERN, CERN, Geneva, Switzerland.; Young Artists at CERN, Institute of Education, London, UK.; Reading Spaces, Galeria Plastyfikatory, Lubon, Poland.; Untitled, Galeria Naprzeciw, Pozna?, Poland.; 2002: Critical Curtain, Bloomsbury Theatre, London, UK.